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【动态】中国艺术名家丁香阳海外媒体展播

2024-04-07 15:48:34 来源:艺术家提供作者:
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Overseas media exhibition of Chinese artists -- Ding Xiangyang

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摘要:恭贺丁香阳老师艺术成就由海外多家权威媒体同步报道,把中国优秀书画艺术推出国门,走向世界,影响世界。向海内外全面推介文化艺术的战略要义,促进东西方文化交流,推进中国书画艺术走出中国,大力弘扬中国传统文化,面向海内外展示这个时代中国杰出艺术家。

Abstract: Congratulations to Mr. Ding Xiangyang, whose artistic achievements have been reported by many authoritative overseas media, and who have brought Chinese excellent calligraphy and painting art to the country, to the world and influenced the world.To promote the strategic essence of culture and art at home and abroad, promote cultural exchanges between the East and the West, promote Chinese painting and calligraphy art out of China, vigorously promote Chinese traditional culture, and display outstanding Chinese artists of this era at home and abroad.

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丁香阳,1950 年生于山东省荣成市,号澜鸣轩主人。中国美术家协会会员、中国 文化艺术促进会会员、国家一级美术师、山东省国画院常务理事兼副秘书长、山东省 中国画学会理事、威海市渤海书画院院长、丁香陽美术馆馆长。2018 年考入由现代水 墨之父刘国松领衔担纲的首届“当代水墨艺术研究院”高峰班学习。2019 年 9 月参加中国美术家协会在东营举办的“美丽黄河口全国中国画、油画作品展”,并获最高奖。

2019 年至 2021 年丁香阳分别在《山东艺术》《中国美术杂志》《中国书画杂志》《美 术》等国家核心期刊上发表多篇美术学术论文,并参加了中国美术家协会在山东济南 和江苏扬州举办的首届和第二届美术高峰论坛,分别获得入围奖和最高奖。

2020 年至今三年间,其作品分别在北京荣宝斋拍卖行、北京东兴瀚海国际拍卖有 限公司、北京传世水墨国际拍卖行多次拍卖成功,并在业内权威、受国家认可的雅昌 艺术网公布在案。

2022 年第七届中新书画名家作品展在新加坡举办,丁香阳应邀携《山高水长》《墨 韵》两幅作品参加展览,得到了新加坡美术界人士的高度认可,也引起了新加坡广大 收藏爱好者对其作品的关注与肯定。鉴于丁香阳先生为中新两国艺术交流作出的特殊贡献,他还被评为“新中文化特使”。

2022 年丁香阳十八幅作品参加首届“时代中国——全国艺术名家数字艺术展”, 并获本次展览“杰岀人物奖”。

2022年六幅作品入编《世界艺术年鉴》。

2023年作品入选北京地铁《艺脉相承》主题巡展。

2023年七幅作品入编《人民艺术家》。

2023年六幅作品入编《中国艺术品牌成交榜》。

2023年5月,“艺术之巅看中国-大美中华”中国当代艺术名家纽约时代广场视频 展播,丁香阳的作品亮相纽约时代广场。

2023年六幅作品入编《中国美术通史》。

2023年特邀作品《乍暖还寒》《山高水长》参加卢浮宫国际联创巡展作品并被收 藏。

2023年11月作品入选《北京机场》大型主题巡展活动。近年来,丁香阳先后在北京、上海、广州、济南、青州、威海、荣成、文登等地 举办个人画展十余次,并多次参加全国性大展和联展。

Ding Xiangyang, born in Rongcheng City, Shandong Province in 1950, is the owner of Lan Mingxuan.Member of China Artists Association, Member of China Culture and Art Promotion Association, National First-Class Artist, Executive Director and Deputy Secretary-General of Shandong Traditional Chinese Painting Academy, Director of Shandong Chinese Painting Society, President of Weihai Bohai Academy of Calligraphy and Painting, and Director of Dingxiangyang Art Museum.In 2018, he was admitted to the first "Contemporary Ink and Wash Art Research Institute" peak class led by Liu Guosong, the father of modern ink and wash.In September 2019, he participated in the "Beautiful Yellow River Estuary National Exhibition of Chinese Paintings and Oil Paintings" held by the Chinese Artists Association in Dongying and won the highest prize.

From 2019 to 2021, Ding Xiangyang published many academic papers on fine arts in national core journals such as Shandong Art, Chinese Art Magazine, Chinese Calligraphy and Painting Magazine and Fine Arts, and participated in the first and second Art Summit Forums held by the Chinese Artists Association in Jinan, Shandong Province and Yangzhou, Jiangsu Province, respectively.

In the three years since 2020, his works have been successfully auctioned in Beijing Rongbaozhai Auction House, Beijing Dongxing Hanhai International Auction Co., Ltd. and Beijing Chuanshi Ink and Wash International Auction House for many times, and published in Yachang Art Network, which is authoritative in the industry and recognized by the state.

In 2022, the 7th Sino-Singapore Calligraphy and Painting Exhibition was held in Singapore. Ding Xiangyang was invited to participate in the exhibition with two works of "Mountain High and Water Long"and"Ink Rhyme", which was highly recognized by Singaporean artists and attracted the attention and affirmation of Singaporean collectors.In view of Mr. Ding Xiangyang's special contribution to the artistic exchanges between China and Singapore, he was also named "New China Cultural Envoy".

In 2022, 18 works of Dingxiangyang participated in the first "Time China-National Digital Art Exhibition of Famous Artists"and won the"Outstanding Person Award" of this exhibition.

In 2022, six works were included in the World Art Yearbook.

In 2023, his works were selected for the theme tour of Beijing Metro.

In 2023, seven works were included in the People's Artists.

In 2023, six works were included in the list of Chinese art brands.

In May 2023, Ding Xiangyang's works appeared in Times Square, New York, during the video exhibition of "China at the Top of Art-Great America and China" by famous contemporary Chinese artists.

In 2023, six works were included in the General History of Chinese Fine Arts.

In 2023, the invited works "Warm and Cold"and"High Mountains and Long Rivers" participated in the Louvre International Joint Tour Exhibition and were collected.

In November 2023, his works were selected for the large-scale theme tour of Beijing Airport.In recent years, Ding Xiangyang has held more than ten personal exhibitions in Beijing, Shanghai, Guangzhou, Jinan, Qingzhou, Weihai, Rongcheng and Wendeng, and has participated in many national exhibitions and joint exhibitions.

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《风骨》145cm×365cm 2020年创作

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《山之歌》97cm×240cm 2020年创作

立足文人之本 蒙养浩然之气

——记著名丹青艺术家丁香阳

丁香阳先生是一位极具艺术表现力的丹青画家。因其对传统国画艺术与西方油画艺术的深刻理解与有机兼容,他的画作呈现出了艺术美和自然美的高度统一。观赏者能从他的众幅山水丹青画作中感受到一种由技入道的写意境界,赋山水之生机,蕴时代之情怀,超然物外,自是不俗。

在创作上,丁香阳先生一直坚持对自然的真实写生,也正得益于此,他的作品才会呈现出“外师造化”和“中得心源”的双重语境。在笔墨中,他既坚守传统写意的文人风尚,又创新融入西方现代派油画的各种元素、符号、技法,既有内在美的蕴藉,也有外在美的观照。在赋色上,丁香阳先生把握传统山水的文化内涵,正如清代著名大家王原祁于《麓台题画稿》一书中所言:“画中设色之法与用墨无异,全论火候,不在取色,而在取气,故墨中有色,色中有墨。”今丁香阳先生于墨色之道亦是如此,画中虽以笔为骨,但却是以墨为韵,更是尤以色而畅神,如此观之,博彩悦目,可谓取于心象而又映于物象也!

Based on the foundation of the literati, cultivate the noble spirit

Ding Xiangyang, a famous painting artist

Mr. Ding Xiangyang is a painter with great artistic expression.Because of his deep understanding and organic compatibility of traditional Chinese painting art and western oil painting art, his paintings show a high degree of unity of artistic beauty and natural beauty.Viewers can feel a kind of freehand realm from skill to Tao from his landscape paintings, which endows the landscape with vitality, contains the feelings of the times, and is detached from things.

In terms of creation, Mr. Ding Xiangyang has always insisted on the real sketch of nature, and thanks to this, his works will present the dual context of "learning from nature"and"getting the source of mind".In his brush and ink, he not only adheres to the traditional freehand literati fashion, but also innovates into the various elements, symbols and techniques of Western modernist oil painting, which not only contains internal beauty, but also reflects external beauty.In terms of coloring, Mr. Ding Xiangyang grasps the cultural connotation of traditional landscape, just as Wang yuanqi, a famous master in the Qing Dynasty, said in his book "Lu Tai Inscription Painting Draft": "The method of coloring in painting is the same as that of using ink. It is all about the degree of heat, not about taking color, but about taking gas, so there is color in ink and ink in color."Today, Mr. Dingxiangyang's way of ink is the same. Although the brush is the bone in the painting, it is the rhyme of ink, especially the color and spirit. In this way, it is pleasing to the eye. It can be said that it is taken from the mental image and reflected in the physical image!

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《江河之源》240cm×97cm 2020年作

如果说笔墨技法是丁香阳先生绘作山水风貌的基础所在,那么深厚的文人心迹和情感寄托,则说是丁香阳先生缔造山水精神的内核。和大部分写意画家的画面表现不同,丁香阳先生的写意山水画面布局饱满且丰实,在一定程度上衬托出画家博大的情怀胸襟!

立足文人之本,蒙养浩然之气。在如今大多以快餐式创作为追求的时代背景下,丁香阳以其坚韧执着、永不服输的禀性和风骨,坚持不重形似,而重意境、重内涵的理念,经过日复一日、废纸三千的砺练,笔墨深植传统法脉,意象深谙澄怀精神,创作出中西合璧、大开大阖、充满视觉震撼与哲理意味的画作。而他的丹青造诣、气度胸襟,也如山峦浩荡、岩岫出云,令人见之难忘!

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If the brush and ink technique is the basis of Mr. Ding Xiangyang's landscape painting, then the deep literati's mind and emotional sustenance are the core of Mr. Ding Xiangyang's landscape spirit.Unlike most freehand painters, Mr. Ding Xiangyang's freehand landscape paintings are full and rich, which to some extent sets off the painter's broad feelings and mind!

Based on the foundation of literati, it cultivates the noble spirit.Under the background of the era in which fast-food creation is mostly pursued nowadays, Dingxiangyang, with its tenacious and persistent nature and spirit of never giving up, insists on the idea of not emphasizing similarity in form, but emphasizing artistic conception and connotation, through the practice of day after day and three thousand waste paper, deeply rooted in the traditional law vein, deeply understood the spirit of clarity in image, and deeply understood the spirit of clarity.He has created a combination of Chinese and Western paintings, which are full of visual shock and philosophical meaning.And his painting attainments, magnanimity and breadth of mind, such as the vast mountains, rocks and clouds, are unforgettable!

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《国魂》251cmc×193cm 2020年创作

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《江山多娇人静好》182cm×145cm 2021年创作

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《山河美》136cm×34cm 2021年创作

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《中国力量》182cm×145cm 2021年创作

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《中国松 》365cm×145cm 2020年创作

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《西域风光》97cm×90cm 2018年创作

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